Further reading

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The 2020 Anders Eliasson Symposium, Konserthuset Stockholm

Paper presented by Oliver Fraenzke
Some basic observations on the musical development of Anders Eliasson with regard to his Fourth Symphony [English]

Grundbetrachtungen zur musikalischen Entwicklung bei Anders Eliasson anhand der Vierten Symphonie [Deutsch]

Paper presented by Norbert Florian Schuck
Anders Eliasson’s musical material – an attempt at an analysis [English]

Anders Eliassons musikalisches Material – Versuch einer Sichtung [Deutsch]

 

The 2017 Anders Eliasson Symposium, Laudon Palace, Vienna

Paper presented by Leander Kaiser
Aesthetics of Resistance [English] | Eine Ästhetik des Widerstands [Deutsch]

Paper presented by Peter Kislinger
Remarks on Dante [English] | Dante Bemerkungen [Deutsch]

Paper presented by Christoph Schlüren
The Alphabet in Motion [English] | Das Alphabet in Bewegung [Deutsch]

Paper presented by Martín Rincón Botero
Intermezzi, omaggio à Ligeti e Lutosławski [English]

Biography

Anders Eliasson [Swedish] By Tony Lundman, Bokförlaget Atlantis, 2012

Academical research

Music as Action [Swedish with English summary] By Anders Tykesson, University of Gothenburg

Articles in connection with Eliasson’s passing

The Music is the Man [English] By Tony Lundman in Nordic Highlights

Zeitlos moderner Mystiker in Tönen [German] By Christoph Schlüren in Neue Musikzeitung

Obituary: Anders Eliasson [English] By Andrew Mellor in Gramophone

Människan i varje ton [Swedish] By Tony Lundman in Expressen

Jag vet inte vart musiken är på väg [Swedish] By Tony Lundman in Svenska Dagbladet

Interviews with Eliasson

Komponerandet som överlevnad [Swedish] By Mikael Strömberg, a radio documentary

En timmes enda ­jätteandning [Swedish] By Marcus Boldemann in Dagens Nyheter

Interviews about Eliasson

Pianist Beth Levin [German] By Oliver Fraenzke in The New Listener

”Det är en stor händelse att Anders Eliassons verk framförs nu” [Swedish] By Maria Schottenius in Dagens Nyheter

Other articles on Eliasson

Zeit-Ton [German] By Peter Kislinger of the ORF